After the first wave of rock music that transmitted subliminal messages, its artists began to openly express their satanic inspirations. The three examples below -- chosen from many -- permit us to see the underlying thinking.

1). The heavy metal rock group KISS is an acronym for Knights in Satan’s Service. Its lead singer Gene Simmons spews fake blood in concert as he wags his head side to side and slithers his long tongue that hangs below his chin in-and-out like a serpent. His fans paint their faces and imitate his gestures.

Here is an excerpt from the song God of Thunder:

“I was raised by demons, trained to reign as the one.
I am the lord of the wastelands, a modern day man of steel.
I gather darkness to please me, and I command you to kneel
Before the god of thunder and rock ‘n roll.
The spell you are under will slowly rob you of your virgin soul.”

KISS also sings about being the lord of the flies, a name for Satan, the left hand path, a term used for Satanism, and the father of lies.

These lyrics come from their song Unholy on their Revenge album:

“I’m the Lord of the Flies, you know I’m unholy,
From the left hand of power comes the father of lies.”

2). The heavy metal rock band AC/DC also explicitly proclaims its hatred of the Messiah. Its acronym stands for Anti Christ/Death to Christ. AC/DC used backtracking to send Satanic messages, but it also openly broadcasted its intentions to take their listeners to Hell.

These are lyrics from their song Hell’s Bells:

“I’m a roaring thunder, pouring rain, I’m coming on like a hurricane,
My lightning’s flashing across the sky,
You’re only young but you’re gonna die,
I won’t take prisoners,
Won’t spare lives.
Nobody’s putting up a fight.
I got my bells,
I’m gonna take ya to hell
I’m gonna get ya,
Satan will get ya,
Hell’s bells, yah, hell’s bells.”

The message continues:

“I’ll give you black sensations
Up and down your spine,
If you’re into evil
You’re a friend of mine.”

3). The third example is a song by the pioneer hardcore punk band Dead Kennedys (DKs). The aim of rock is stated in their song I Kill Children where we hear:

“I kill children,
I love to see them die.
I kill children
To make their mothers cry.
I crush them under my car and I love to hear them scream.
I feed them poison candy and spoil their Halloween.
I kill children,
I bang their heads in doors.
I kill children,
I can hardly wait for yours.”

Strong evidence exists demonstrating that some of the biggest rock ‘n roll stars freely and voluntarily consecrated themselves to Satan. Here we present just a sampling of cases:

Alice Cooper:

Megastar Alice Cooper, whose real name is Vincent Damon Furnier, is called the "godfather of shock rock." He pioneered the brand of macabre, theatrical rock that we see everywhere today. For his stage shows, he used guillotines, fake blood, and boa constrictors, he hung himself from the gallows, he sang promoting necrophilia -- sexual relations with cadavers.

Here is his explicit testimony of how he got his stage name from his autobiography Me, Alice:

Mick Jagger of the Rolling Stones:

Under the influence of their girlfriends Marianne Faithful and Anita Pallenberg, Mick Jagger and Keith Richards were introduced to Satanism. These two witches, deep into black magic, called on filmmaker Kenneth Anger, himself a disciple of Aleister Crowley, to induct the two Stones into the rituals of black magic.

While in the UK, Anger worked on a film dedicated to Aleister Crowley called Lucifer Rising, which was renamed Invocation of my Demon Brother. Mick Jagger was closely involved with the production and provided a synthesizer soundtrack.

Head of the First Church of Satan Anton LaVey played the part of His Satanic Majesty. The Stones in fact titled their 8th album Their Satanic Majesties Request.

Jagger was dedicated to Satan in the Masonic sect, the Hermetic Order of the Golden Dawn, a subsidiary of the Illuminati to which Aleister Crowley also belonged.

Ozzy Osbourne:

Ozzy Osbourne, the former lead singer of Black Sabbath, known for uncontrollable and violent acts, confessed in an interview: ”I really wish I knew why I’ve done some of the things I’ve done over the years. I don’t know if I’m a medium for some outside source. Whatever it is, frankly, I hope it’s not what I think it is -- Satan…” Ozzy Osbourne bit off the head of a live bat in one show.

Jim Morrison of the Doors:

Jim Morrison, superstar of the Doors, who died mysteriously on July 3, 1971, was deeply involved in the occult. Morrison married his wife at a Wicca “wedding” standing in a pentagram and drinking each others’ blood.

In his eerie poetry, Morrison admitted that Satan was the source of his music: “I met the Spirit of Music…An appearance of a devil on a Venice canal. I saw a Satan or Satyr moving beside me, a fleshly shadow of my secret mind. Running. Knowing.”

Stevie Nicks of Fleetwood Mac:

Stevie Nicks, of the Fleetwood Mac group, is known for openly dedicating their concerts to the witches of the world. At an Iron Maiden concert in Portland, Oregon, their first words were “Welcome to Satan’s Sanctuary.”

Venom:

On the back of their album Welcome to Hell, the rock group Venom has these words printed in bold print: ”We are possessed by all that’s evil. The death of you, God, we demand: We spit at the Virgin you worship, and sit at the Lord Satan’s left hand.”

Venom blatantly announces where it finds its inspiration. This testimony from John Todd erases all doubt about the relationship between witchcraft and rock. Todd, a former witch and high ranking member of the Illuminati, tells us: ”Historically witchcraft was practiced to the sound of the beat, which is identical in voodoo cults and in rock music. It is impossible to practice witchcraft without the rock beat.”

Gary Numan of The Stranger:

Let us also mention Gary Numan’s group, The Stranger, which always performed in public under its famous red glowing pyramid.

Elton John:

Finally, in interviews Elton John affirmed that he had never written or sung a song that had not been written in the language of witchcraft. Many of his top songs, for example Goodbye Yellow Brick Road, were written by his partner and lyricist Bernie Taupin, a known Satanist. This is why many of his songs are incomprehensible to the uninitiated audiences.

The same is true about the Stairway to Heaven album by Led Zeppelin.

Judas Priest:

Today album covers openly proclaim allegiance and devotion to Satan. He also explains how the Illuminati controlled Zodiac Productions, whose name has since changed because of the bad publicity. He was a managing director and close friends of David Crosby (from Crosby Stills Nash and Young), Graham Nash and others. He states emphatically that all the producers of rock ‘n roll are members of a satanic church and that most of the famous rock groups are members of some witchcraft church or religion of Satan.

He continues:

“When they produce a record or compose new songs, they ask the high priests and priestesses of the covens or the temple to cast a spell over that song so it will become a hit and sell.

“When the rites of consecration are completed and once the records are bewitched, a lot of demons are responsible for implementing the orders.

“Now, that means when you go buy an album and take it home with you, you get a free surprise. It is called a demon. It goes along with the record.

“Much of the music is written in witch language by witches. Elton John has said that he never wrote or sang a song that wasn’t written in witch’s language. That is why there are many songs you don’t understand, until you get high on drugs and suddenly the meanings start coming to you.

“I could list thousands of songs that were written in this way: The whole Tapestry album by Carole King. The double White album that the Beatles produced. Horse with No Name, One Tin Soldier. They definitely have demonic influence behind them.

“Therefore, it is not surprising that a demonic influence is felt among the youth who listen to rock. The music itself naturally arouses an irritability, the spirit of rebellion, obscene language, blasphemous suggestions, erotic feelings and suicidal tendencies.”

He concludes:

“To my knowledge, not a single witch or rock musician has been converted or released without having destroyed all the rock records he possessed and without cutting every tie with witchcraft.”

Def Leppard:

Def Leppard is well known for back masking, a recording technique where messages are recorded backwards, in their songs, particularly in Hysteria.

Rocket starts off with a back masked “we’re fighting with the gods of war,” mastered by none other than Mutt Lange. Back masking occurs in other places in the song, and likely in other songs and albums. The back masking provides a very unique sound, adding novelty to the song, but it has sinister roots.

Satanic back masking involves embedding Satanic messages in music that, when played in reverse, as in the case of Led Zeppelin and Beatles songs, the dark message is revealed. It not only puts demonic influence in the life of the listener, it allows, according to occultists like Crowley, for spell-casting, invocation, and divination.

The late John Todd, an alleged witch-turned Christian and former high-ranking music executive, claims that all music producers are initiated witches as prerequisite and that albums are placed on altars, and demons are subsequently summoned to cast spells on them before they are marketed to the public. Of course, some music groups that back mask or place Satanic imagery in their album artwork claim it’s all merely for effect. But what effect? Serial killer Richard Ramirez, on trial in 1988, stated that the Mutt Lange-managed AC/DC music, and specifically the song Night Prowler on Highway to Hell, inspired him to commit murder. Def Leppard’s music was created and produced in England, as was much of the music from the glam rock era.

Def Leppard and Mutt Lange have denied that the closing lyrics in Love Bites, from the Hysteria album, say “Jesus of Nazareth, go to hell.” Instead, Lange, the one who inserted the oddly voiced message, claims it really says, “Yes it does, bloody hell”; however, the syllables don’t really line up with his explanation. The syllables do, however, line up with the aforementioned blasphemy against the Messiah. It certainly would be no surprise if Lange really were telling the Messiah to go to hell. Lange is no stranger to Satanic messages considering the dark lyrics of his many other clients.

Aside from Def Leppard’s psycho-sexual and possibly anti-Christian lyrics, the real evil is in the music itself, with hypnotic riffs, melodies, and beats that provoke “neurotic response” in the listener. The neurosis can lead the listener to gyrate, fist pump, or make devilish hand gestures, like the Baphomet. And often, these are done without thinking, as an automatic response to the music.

It’s no surprise that Def Leppard incorporates highly sexualized messages into their songs like that of their predecessors. Almost all secular musicians do this. But the emphasis on sex in Def Leppard’s music fits in with the Illuminati’s agenda of saturating culture with cheapened promiscuous sex. Of note in Def Leppard’s music is the song Photograph from the Pyromania album, which seems to glamorize pornography, or at least voyeurism.

Incidentally, Photograph was written about Illuminati sex slave Marilyn Monroe, whom Def Leppard refer to in other songs as well.

And with Illuminati sexualization comes worship of the phallus, a symbol of the male penis or masculinity. Rocket appears to be a veiled song about the power and use of the erect male penis.

Def Leppard and the Jews:

Def Leppard’s management team consisted of Cliff Burnstein and Peter Mensch of Q-Prime Management -- both Jews.

The story of Def Leppard, formerly Atomic Mass, starts with the vision of lead singer, the Jewish Joe Elliot, who would very soon attract the attention of Jewish-Illuminati-run record companies desperate for the next big thing.

So it was that Cliff Burnstein and Peter Mensch would take over Def Leppard’s beleaguered management and bring the band to America in the early 1980s.

And they must have been belated to add yet another Jewish front man to what was then becoming the Jewish-glam-rock era.

In What Does Jewish Rock Look Like?, Dustin Oneman writes:

“But in the ‘70s, Jews really shined. Literally, in some cases, with Jews playing a major role in the glam period, with strong outposts in bands like KISS (Gene Simmons, Paul Stanley, Ace Frehley [note: apparently not], and Bruce Kulick), the New York Dolls (Syl Sylvain and possibly Arthur Kane), T. Rex (Marc Bolan), and early Twisted Sister (John Segal and [half-Jewish] Dee Snider), along with soloists like Lou Reed and Iggy Pop (née James Newell Osterberg).

"As glam and other proto-punk styles graded almost imperceptibly into punk, Jews remained highly visible, especially among the CBGB set -- Richard Hell of Television, Lenny Kaye of Patti Smith’s group, Joey Ramone, Chris Stein of Blondie, and across the pond, Mick Jones of the Clash, three of the four members of 10cc (Lol Crème, Kevin Godley, and Gouldman), and from backstage, Malcolm McLaren, who gave us the Sex Pistols, and Nancy Spungen who took them away.”

But, like his coreligionists (kabalistic occultism) in other bands, Elliot had a seemingly gentile look with his bleached-blonde long locks, ripped jeans, and T-shirts. Other Jews, like David Lee Roth, would take on the same rock-and-roll, boy-next-door appearance. Glam rock had nothing of the appearance of being Jewish. It was the last thing on anyone’s mind, much less the fans’.

“By the end of the ‘70s, these ‘clumps’ of Jewish involvement would be dispersed throughout pop music. In the ‘80s and ‘90s, Jews would be involved in practically every genre of music, from the New Wave of the Bangles (Susanna Hoffs), Souixsie Sioux, and Depêche Mode (Martin Gore) to the hair metal of Def Leppard (Joe Elliott) and David Lee Roth to the top-40 tunesmithing of Pat Benatar, Melissa Manchester, and Paula Abdul to the hip-hop of the Beastie Boys (Mike Diamond, Adam Yauch, and Adam Horowitz) to the hard rock of Guns ‘N’ Roses (Slash, née Saul Hudson) to the retro-rock of Lenny Kravitz (half-Jewish) to the neo-punk of Jane’s Addiction (Perry Farrell), Courtney Love (disputed), Elastica (Justine Frischman), and Veruca Salt (Jim Shapiro and Nina Gordon) to the heavy metal of Anthrax (Scott Ian) and Megadeth (Marty Friedman) to the neo-funk of the Red Hot Chili Peppers (original guitarist Hillel Slovak) to the neo-soft rock of Lisa Loeb, and beyond (Matisyahu, members of Jamiroquai and Phish, Rick Rubin whose behind-the-scenes work brought us Johnny Cash’s late-life revival).”

Led Zeppelin:

Led Zeppelin was Satanic to the core. In the song Houses of the Holy, Robert Plant (lead singer) speaks of Satan's daughter and making her garden grow (a sexual reference). The album cover displays naked women crawling towards the top of the temple. It's sickening in the name of decency. Anyone who denies the occult inspiration of Led Zeppelin's music is woefully deceived.

Led Zeppelin idolized and promoted, The Most Wicked Man In The World, Aleister Crowley (the “O” has the long vowel sound in Crowley). Crowley lived from 1875 to 1947. In his publication, The Book of the Law, Crowley writes:

“This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all....With my Hawk’s head I peck at the eyes of Jesus as he hangs upon the cross” (The Book of the Law, pp. 47-51).

As you've just read, Crowley speaks of the Beast, admits that his writings are a puzzle to be solved (which he says that the coming Antichrist will solve), and worst of all blasphemes the Messiah. Crowley was a despicable human being who worshipped Satan, summonsed demons through drug usage, impregnated countless women with sex-rituals throughout his whore-mongering career, manipulated people, indulged in kinky sex orgies and unspeakable acts of homosexuality, ate the excrement of women during rituals, sacrificed hundreds of children in rituals, filed two of his teeth down so he could bite women during sex, et cetera. You couldn't make this stuff up if you tried.

The guy was a demon-possessed nutcase! What kind of sick-minded people would praise, idolize, or recognize such a fiend as Aleister Crowley? Led Zeppelin!!!

Led Zeppelin also introduced personal occult symbols and displayed Crowley's law “Do as thou wilt” on some of their albums. Guitarist Jimmy Page of Zeppelin is a devout follower of Crowley. Aleister was a devout Satanist who proclaimed himself as “The Beast 666.” Aleister Crowley was also a 33rd and 97th Degree Freemason and is recognized as the master Satanist of the 20th century. In 1971, guitarist Jimmy Page bought Crowley’s Boleskine House on the shore of Loch Ness where Crowley practiced his Hellish, Satanic sex-magick rituals, including human sacrifices. Guitarist Jimmy Page actually performed Crowley magical rituals during their concerts. Their song Stairway to Heaven carries the reference “May Queen,” which is purported to be the name of a hideous poem by Crowley.

According to the following, Led Zeppelin's songs are saturated with Aleister Crowley's Satanic doctrines...

"The worship of Lucifer, in the form of Pan, was a theme through all of Aleister Crowley’s writings. Jimmy Page has always been an open student of Crowley the Black Magician, and Led Zeppelin was his band. Following the teachings of Crowley, Jimmy Page and company were successful in placing his doctrines in many of their songs, including 'Ramble On,' 'Black Dog,' 'The Battle of Evermore,' 'Stairway to Heaven,' 'No Quarter,' 'The Song Remains the Same,' 'Kashmir,' 'In The Light,' 'Achilles Last Stand,' and 'Nobody’s Fault But Mine,' just to name a few. Led Zeppelin even went so far as to command their fans to sell their souls to the Devil in their concert film, 'The Song Remains the Same.'

"In Fallen Angel, the reader will be exposed to the entire spectrum of occult teachings presented by Aleister Crowley; combined with other renowned occult authors, to provide the truth about Led Zeppelin’s worship of, and propagation of Lucifer. The teachings are thoroughly refuted by this author, presenting the truth of the gospel, including the absolutes of truth presented in the human subconscious. This book has been written to inevitably glorify Lord Jesus Christ in the reader’s mind, especially in the heart and mind of the rock fan who needs to receive Christ as Lord and Savior. The evidence is overwhelming, yet factual, with the Word of God presented as the absolute authority for faith and practice. The objective reader, if a Christian, will be thoroughly equipped to witness to the rock culture; and the lost sinner will see and appreciate his need for salvation in our Lord Jesus Christ" (http://www.cuttingedge.org/News/n2003-1.cfm)

Page had inscribed in the vinyl of their album Led Zeppelin III, Crowley's famous "Do what thou wilt. So mete it Be." Page and Robert Plant claim some of Zeppelins' songs came via occultic "automatic handwriting," including their popular Stairway to Heaven. Stephen Davis in the Hammer of the Gods, details the occult inspiration of Stairway to Heaven.

"...Robert described the 'automatic' nature of the lyric: 'I was just sitting there with Pagey in front of a fire at Headley Grange. Pagey had written the chords and played them for me. I was holding a paper and pencil, and for some reason, I was in a very bad mood. Then all of a sudden my hand was writing out words. 'There's a lady who's sure, all that glitters is gold, and she's buying a stairway to heaven.' I just sat there and looked at the words and then I almost leaped out of my seat'" (Stephen Davis, Hammer of the Gods, p. 164).

"He [Robert Plant] often remarked that he could feel his pen being pushed by some higher authority" (Stephen Davis, Hammer of the Gods, p. 262).

There is no doubt to the occult influence of Led Zeppelin. For a very through, extensively documented history of Zeppelin’s occult inspiration read the 648 page book titled, Fallen Angel: The Untold Story of Jimmy Page and Led Zeppelin by Thomas Friend. Other Rock groups such as Ozzy, Sting, The Beatles, and others have praised Crowley too.

Marilyn Manson:

Manson, whose real name is Brian Warner, was a God-hater from the time he was a child. There is a false story being circulated around the internet through e-mails, about the early teenage life of Brian Warner. It tries to explain the reason Manson hates Christians so much by telling a lie of how Brian was rejected by a youth group at a church Christian school he attended while he was a teenager. It says that since he looked and dressed differently than the other teenagers that attended the school and church, they wanted nothing to do with him, so he turned to Satanism. This is completely false! This story is deceiving as it leaves out a lot of important details.

The fact of the matter was that Brian Warner used to show up at church dressed in black garb  and wearing Satanic t-shirts. He used to try to intimidate the other teenagers by telling them things like "Satan Rules" etc., etc. He would give them the Satanic sign and tell them that the Devil was God. He also admitted to being a homosexual as well as a child-molester, and propositioned several teenagers at the church to try to entice them into having sex with him. When teenagers attend a church, they are wanting to develop their relationship with the Messiah. They are obeying YEHOVAH God by coming out of the World, as described in 2 Corinthians 6:14, "What fellowship has the believer with the non-believer, what fellowship has sin with righteousness, what fellowship has Jesus with the Devil, what fellowship has light with darkness? Come out from among them and remain separate says the Lord."

Those kids were in their full rights to reject fellowship with someone who was obviously only there to cause trouble, and wanted to intimidate Christians. I mean, first you should reach out to someone like that, but when they openly reject you and come into the congregation to start trouble, that shows disrespect to not only YEHOVAH God, but to the teenagers that are there trying to get their lives right. They have to listen to all that satanic junk in the world, so YEHOVAH forbid that they have to come into the church and hear it there.

Brian Warner later changed his name to "Marilyn Manson" (female impersonating Marilyn Monroe and glorifying Charles Manson, who brutally killed 7 people and claimed to have butchered countless others during the infamous Helter Skelter Murders) and formed a band with other transvestite homosexuals, taking the names of serial killers like "Madonna Wayne Gacy", Stephen Bier, Jr. (female impersonating Madonna and glorifying John Wayne Gacy, a homosexual serial killer who raped and murdered over 35 boys, and buried their bodies in a crawl space in his basement); Brian Tutunick "Olivia Newton Bundy," (female impersonating Olivia Newton-John and glorifying Ted Bundy, the serial killer who claimed to have killed over a hundred young girls across the highways of America); Jeordie White "Twiggy Rameriez", (female impersonating model Twiggy and glorifying the dreaded Satanic Night Stalker Richard Rameriez who murdered and raped women throughout several months of terror in Los Angeles and San Francisco, California); Kenny Wilson "Ginger Fish" (female impersonating actress and dancer Ginger Rogers and glorifying Albert Fish, child murderer and cannibal who ate kids after murdering them); Scott Mitchell Putesky "Daisy Berkowitz" (female impersonating Daisy May of the musical Lil Abner and glorifying Son Of Sam serial killer shooter David Berkowitz); Perry Pandrea "Zsa Zsa Speck"  (female impersonating Zsa Zsa Gabor and glorifying Richard Speck who murdered 8 nurses hacking them to death with a butcher knife,) Fred Streithorst "Sara Lee Lucas" (named after Henry Lee Lucas who confessed to murdering over 250 people,) and began playing the homosexual hangouts.

Manson began to record CD's, and recorded one called Antichrist Superstar, in which he says some of the most blasphemous things that can ever be said against the Messiah.

Manson has taken a cross representing the Messiah's crucifixion and defecated on it while on stage. Manson has urinated on so-called pictures of the Messiah, during his concerts. Manson has encouraged the teenagers in the audience to commit acts of sodomy, and lesbianism.

He conducts sex with audience members and band members and rapes women on stage. When the band opened for Nine Inch Nails Manson was kneeling down singing and a member of NIN walked up to him with his penis hanging out. Seeing the offered item Manson put the penis in his mouth. At early shows before the band was famous Marilyn Manson would have girls dancing naked in cages while men gathered around them and spat on them. You're probably going, wait a second...shouldn't he get in trouble for conducting this kind of display? Manson has been arrested a few times and has been banned from 13 states in the USA for his behavior.

Manson's band members drink his urine and he pees on the crowd at his concerts.

Manson, began burning Bibles in his concerts, and giving "alter calls" for Satan, by encouraging kids to reject the Messiah, and accept Satan into their hearts and minds, as well as accepting Manson as the Antichrist. He tells them to chant in unison, "F#ck the holy spirit" and "F#ck Jesus Christ." It is quite possible that Manson has committed blasphemy of the holy spirit, which is the only sin that is UNFORGIVABLE. Marilyn Manson could have crossed the line with that one. Only YEHOVAH God Himself knows if he is beyond redemption, by making those chants. YEHOVAH will judge him on this but we have a right to make a right judgment to take a stand against him and expose his disgusting deeds of darkness.

Kurt Cobain:

As a true member of the lonely-hearts club band, Cobain’s powerful sense of rejection from his childhood would feed his insatiable desire to be accepted. Cobain has been described as “rather a sickly, underdeveloped figure of a young man who got picked on a lot” (Nick Kent, The Dark Stuff, Ca Capo Press, New York, 1994, p. 341). So strong was Cobain’s desire to be respected and accepted, that Cobain would sell his soul to the Devil for the price of fame. For starters, Kurt Cobain made no qualms about who he was serving when he made it known publicly that his stated goal was to “get stoned and worship Satan” (op. cit. Sandford, p. 42). 

Cobain’s worship of Satan manifested itself in a multiplicity of ways. Cobain, like other Satanists, also had a penchant for the desecration of churches. Cobain, with his bass player Chris Novoselic, spray-painted “GOD IS GAY” on a church building (ibid. pp. 57, 165). Cobain, according to Rolling Stone, would also spray-paint “HOMO SEXUAL SEX RULES” on a bank. Rolling Stone further reported that other favorite graffiti included “GOD IS GAY” and “ABORT CHRIST” (Rolling Stone, "Inside the Heart & Mind of Nirvana," by Michael Azerrad, April 16, 1992). Beyond spray-painting blasphemous statements about YEHOVAH God on a church, Cobain would take song lyrics he was dissatisfied with and set them on “fire and leave [them] burning on the porch of the Open Bible Church” (op. cit. Cobain, Sandford, p.68). Beyond this, Sandford writes:

“It was after the destruction of not only a wooden notice-board but an expensive crucifix and other artifacts that the police called at East 2^nd with the suggestion that Cobain’s presence in Aberdeen would be more sparingly required in the future“ (Ibid.).

Cobain “decorated” his apartment as he explained, “with baby dolls hanging by their necks with blood all over them” (ibid. p. 54).  Rolling Stone would further report that “Cobain made a satanic-looking doll and hung it from a noose in his window” (Rolling Stone, "Inside the Heart & Mind of Nirvana," by Michael Azzerad, April 16, 1992). The fact that Cobain was considered some kind of national or even international hero well illustrates the wicked depths of depravity to which the human heart has sunk. While Cobain may have influenced some for evil through graffiti on churches, it was through his music that millions of people would be influenced by the satanic beings that used him like a pawn in a much bigger game. Cobain’s involvement in black magic and witchcraft would escalate to the point that Cobain would begin casting spells in an effort to see his will done (op. cit. Sandford,  p. 172).  Cobain’s interest in the occult would eventually lead him into a relationship with occultist William Burroughs. Stephen Davis, the biographer of the Led Zeppelin saga Hammer of the Gods, compares Burroughs to Satanist Aleister Crowley, stating:

“Like Crowley, Burroughs was an urbane and genial human Lucifer, a modern magus, a legendary addict, and an artist whose influence extended far beyond literature to music, painting and film” (Stephen Davis, Hammer of the Gods, Ballantine Books, New York, 1985, p. 237).

Burroughs also associated with Zeppelin’s Jimmy Page and, ironically, it was Burroughs who first christened hard rock with the label “Heavy Metal” (ibid.  p. 104). Burroughs claimed that he first became demon possessed after killing his wife. Cobain would seek out Burroughs’ services seeking his collaboration on a music project (op. cit. Sandford, p. 255). In a Rolling Stone interview, Cobain would later underscore as one of the highlights of his life that of “Meeting William Burroughs and doing a record with him” (Kurt Cobain: The Rolling Stone Interview, by David Fricke, January 27, 1994). Such was Burroughs’ influence on Cobain that, “William S. Burroughs received ‘special thanks’ on In Utero for being a cherished inspiration to Cobain (op. cit. Teen Spirit, Chuck Crisafulli, p. 84).

Besides William Burroughs, Cobain was "obsessed with Anton LaVey" (Mojo Magazine, Sept. 1999, p. 86). Anton LaVey was the founder of the Church of Satan and the author of the Satanic Bible.  So obsessed was Cobain with Satanist Anton LaVey that he sought to enlist LaVey by having him play cello on Nirvana's Nevermind album!  Cobain’s involvement in witchcraft and Satanism is a fitting explanation as to the source of his inspiration and the uncanny ability he had for coming up with alluring and seductive hooks that so frantically enticed Nirvana’s fans. Cobain is described as “stumbling on melodies by means he himself didn’t fully understand” (op. cit. Sanders, p. 70). 

In the occult, this is referred to as automatic writing and is a process wherein a demonic being channels poetry or lyrics through a human being in an effort to negatively effect society. This is surely what took place through Cobain, the willing and twisted medium for satanic forces.  Even the legendary guitarist Chuck Berry would exclaim, “he had a touch most guitarists would kill for” (ibid., p. 71). While “kill for” might be a stretch, sell one’s soul for is far more fitting. 

Who Funds Rock Music?

Since the beginning of this article, we have affirmed that rock music is a socio-cultural, political, economic, moral and spiritual revolution. This revolution is part of a much broader project conceived of and funded by the Illuminati.

To be assured of reaching youth indifferent to debates and strategic policies, the Illuminati have relied on Wicca and pagan groups to install rock in production studios to ensure global dissemination of works of the most aggressive groups.

Among the best-known production studios include: Zodiac Productions, Atlantic Records, Capitol Records, Mercury Records, InterGlobal Music, Artist Records. These initiates form an integral part of a global conspiracy, conceived by the Illuminati with the explicit purpose of leading the youth toward an internationalist mentality with the corresponding rise of a one world government.

The resulting severing of ties with family, nation and the Church, and their own culture, which follows in the wake of entering the rock revolution, makes young people lose their sense of belonging to this group or that country. Instead, they have the feeling of being citizens of a world without faith, law or obligations to others -- except for to the Illuminati and Satan, even thought this dependence is subconscious.

According to Wes Penre: "We know for a fact that the major Entertainment Industries, the ones that count, are owned by Jews, exclusively, but it doesn't stop there.

"The Entertainment Industry (which I from hereon out for simplicity will call the Industry, and by that I mean the Mainstream Media, the Movie Industry, the Music Industry and the Art Industry, if not otherwise specified) seems to favor Jewish artists, producers and managers. Behind most successful rock- or movie star is a Jew, and a large percentage of artists are Jewish as well. This is particularly interesting if we ponder that the Jewish world population is just a fragment of the population as a whole. According to a Jewish website, Judaism 101, there are approximately 13-14 million Jews in the world, compared to a world population of around 6 billion souls.

"As we can see if we go to Answers.com, concentrating only on American musicians, many of the most influential musicians in modern history have been Jewish. Examples are (and I have added a few names not mentioned at Answers.com as well, because these people are relevant Jews):

"Elvis Presley
Lou Reed
David Lee Roth
Alice Cooper
Neil Sedaka
Paul Simon
Art Garfunkel
Barbara Streisand
Jeff Beck
Tiny Tim
Michael Bolton
Eric Carmen
Sammy Davis, Jr.
Neil Diamond
Bob Dylan
Leonard Cohen
Ramblin' Jack Elliott
Arlo Guthrie
Billy Joel
Carol King
Barry Manilow
Bette Midler
Phil Ochs
Joe McDonald (Country Joe & the Fish)
Robbie Krieger (The Doors)
Max Weinberg (Bruce Springsteen's E-Street Band)
Roy Bittan (Bruce Springsteen's E-Street Band)
Slash (Guns & Roses)
Gene Simmons and Paul Stanley (KISS)
Cass Elliot (The Mamas and the Papas)
Leslie West (Mountain)
Mike Bloomfield (Paul Butterfield Band and guitarist for Bob Dylan)
Peter Yarrow (Peter, Paul & Mary)
Joey Ramone (The Ramones)
Jakob Dylan (The Wallflowers)
Phil Spector
Allen Ginsberg
Marc Knopfler (Dire Straits)
Marc Bolan (T-Rex)
Manfred Mann
Donovan P. Leitch (known as Donovan, who had a mega-hit with Buffy St. Marie's "Universal Soldier" in the 60s)
Burt Bacharach
Leon Russell

"This is just the tip of the iceberg; the list goes on and on. Then if you include classical musicians, jazz musicians and film producers, the list will be very long. To further prove my point, here is a statement from Leonard Bernstein's (world leading Jewish conductor) biographer, Joan Peyser:

"The more one knows about Bernstein, the more complicated the portrait is of him as a Jew. Capable of working productively with anti-Semites, he still holds a soft spot in his heart for fellow Jews, whom he says he finds superior to all others. 'He is so adamant about music being Jewish,' [conductor and composer Gunther Schuller says]. 'It is important to him that a composer is a Jew, that a performer is a Jew. He told me that Triplum, my composition, has a Jewish soul. That is meant as a compliment. I am not a Jew. When Lenny says, 'You can almost be Jewish,' that is considered by him to be one of the most supreme of compliments'" (Peyser, J., 1987, p. 409).

"And rock and roll? 'The most famous and important [rhythm and blues disc jockey],' note Steve Chapple and Reebee Garofalo, 'was...Alan Freed, the father of Rock 'n' Roll...Freed was credited with co-writing fifteen rock and roll hits including Chuck Berry's 'Maybelline,' but he did little more than promote any of them' (Chappel, p. 56-57). A biography of Freed notes that 'by 1956, there was no bigger name in rock and roll than Freed, except Elvis Presley [who was Jewish as well, editor's note].' (Jackson, p. ix). (Another of America's best known early disc jockeys was also Jewish, Murray the K, aka Murray Kaufman).

"As Syd Nathan, the owner of King Records, once said, 'You want to be in the record business? The first thing you learn is that everyone is a liar' (Wade, p. 60). 'The early rhythm and blues companies were run by a fraternity of Jews...They were tough and they were shrewd -- some say unscrupulous -- and they were alternately loved, despised, respected, and feared. The deep bond of these cultural outsiders prompted one gentile, mild rebuke in his voice, to comment that 'Yiddish' was the second language of the record business' (Cohodas, N., p. 3-4, 2000).

"There are a number of artists who have been cheated by greedy Jewish Record Companies, owned by Jewish businessmen. Many of those victims have been black, but far from everybody. A few examples of musicians whom have been ripped off by the Jewish Music Industry where some of them filed lawsuits are: Little Richard, Chuck Berry, Howlin' Wolf, Muddy Waters, Willie Dixon and Bo Diddley. The Rolling Stones once sued their Jewish manager, Allen Klein for $29 million (Sandford, p. 164). Christopher Sandford notes that 'By midsummer [Rolling Stones singer Mick] Jagger was unable to mention his manager's name [Klein] calmly. Later he gave an interview in which he stated, 'Half the money I've made has been stolen. Most artists in show business suffer the same kind of thing...It's all the hangers-on and parasites. There are very few honest people in the profession'' (Sandford, p. 139).

"But the Talmud says very distinctly that for a Jew, it is absolutely fine to cheat and lie to a goy (non-Jew) and that you don't have to pay him wages owed him for work. Here are some passages from this lovely book, which states that Jews are human and non-Jews are not. Non-Jews are nothing but cattle and should be treated as such:

"O.K. to Cheat Non-Jews. A Jew need not pay a Gentile ('Cuthean', which means a non-Jew) the wages owed him for work -- Sanhedrin 57a

"Jews always have to try to deceive Non-Jews -- Zohar I, 168a

"Every Jew is allowed to use lies and perjury to bring a Non-Jew to ruin -- Babba Kama 113a (Penre, Wes, The Jewish Control Over the Entertainment Industry, 2007)

"Disco fever"

Saturday Night Fever:

Saturday Night Fever insured the success of disco. The “disco” was born in New York in 1973 in the Parisian club scene and “gay” American metropolis. At that time nobody could appear at a “disco” hall without being a member in good standing of the club. In 1977, the successful movie Saturday Night Fever ensured that the disco would become a tidal wave in the US and worldwide; more than 18,000 clubs popped up in less than two years. How can this success be explained?

An article that appeared in the Daily News of March 19, 1978, analyzes this “disco” fever:

”Each one dances alone to a deafening music and exposed to a blinding light. The dancers do whatever they feel like, never looking at or speaking to one another, as if each one were moving in front of a mirror screaming nonstop ‘Yah! Yah! Yah!’

”This blatant narcissism is merely a reflection of a philosophy that seems to have saturated our society, which justifies any action by the mere fact that ‘I want to do it,’ whatever the consequences for others may be.

”This state of mind translates into the increasing number of divorces and broken marriages, as well as works and social movements centered on individualism and self-gratification.

”This philosophy that permeates the ‘disco’ phenomenon is too narrow to make room for love. It is deplorable, since those who have forgotten the joy of giving and sharing, if they have ever known it, despise the richest values of life.

”The ‘disco’ phenomenon has a very specific aim: to give its fans the chance to experience pure ‘primitive emotion’ in an atmosphere of complete tolerance. The old sexual prohibitions have to be overcome. Everyone can assume without shame his ambivalent sexuality and live without the slightest guilt complex. Homosexuals, heterosexuals and bisexuals can abandon themselves with all freedom to the rhythm and tempo of the music without fear of obstacles imposed by social obligations.”

Finally, the US News Report of January 9, 1979, notes: “Sexuality has invaded the ‘disco’ (…) It is responsible for some of the best and sexiest dance music ever made.”

Record Covers

Since the 1970s, the record covers of rock music have become more and more explicit in displaying satanic, occult and erotic signs and symbols.

For example, we find on these covers a multitude of inverted triangles, pyramids, pentagrams, magic circles and a whole series of witchcraft signs. Further, they do not hesitate to show nudity, phallic and vaginal symbols of all types, and purely satanic symbols, like the 666 symbols and its inverse 999, as well as scenes of human sacrifice, black masses and representations of Hell.

Marilyn Manson appears as a Devil on the cover of one of his albums, in which he invites followers to take the swift route to Hell. Inside of Manson's Antichrist Superstar CD, this sickening photo shows Manson urinating through tubes while his band members drink his urine.

In his Holy Wood CD, he mocks the crucifixion of the Messiah, by appearing on it's cover "nailed" to a cross. He commits more blasphemy by calling this, "Jesus Rotting On a Cross." The songs such as Born Again and Lamb of God are full of hateful blasphemy.

This is just a sampling of what youth who have Manson’s CDs in their possession are being exposed to.

Def Leppard’s covers are notorious for the Illuminati symbols and his artwork has, perhaps, some of the most obvious and recurring occult symbolism of any of its contemporaries.

From their first album, On Through the Night (1980), which depicts the band name within a pyramid, to their second last album, Songs from the Sparkle Lounge (2008), which is fashioned after the Beatles occultic Sgt. Pepper’s Lonely Hearts Club Band (1967) album, which honors the late high-ranking Illuminist Aleister Crowley, their albums paid homage to their Illuminist masters at every turn. The Lonely Hearts album cover shows a collage of those whom the Beatles considered their heroes, including Crowley. Many of them included Jewish revolutionaries, like Carl Jung, Sigmund Freud, and Karl Marx. The Def Leppard parody depicts, of occultic significance, hands giving the devil horns sign and Egyptian Pharaoh King Tutankhamen.

Virtually all of Def Leppard’s album and video artwork feature single eyes (Illuminati all-seeing eye of Horus, Providence), ascendant triangles, and even an eerily prophetic reference to the 9/11 World Trade Centre attacks on the cover of their Pyromania album (1983). Retro Active (1993) features a cryptic skull. Their best-selling album, Hysteria (1987), epitomizes the obsessive use of Illuminati symbolism in their artwork.

The front cover depicts a large triangle with half the face of one of the singers (one eye within an triangle). Inside the album jacket, late guitarist Steve Clark is photographed covering one eye, like Lady Gaga and so many others are photographed doing today. Incidentally, Steve Clark reportedly drank and drugged himself to death. Band members said he was very unhappy (Illuminati sacrifice? Was he trying to break free from his possible Monarch mind control programming?).

Regardless, Clark is one in in a long list of depressed, drugged, and debauched rock stars to meet a premature death.

People wonder about who carries out all the Illuminati artwork for bands and musicians and choreographs body gestures in the production of music videos. The placement of these symbols has become so commonplace in pop music that nobody even blinks anymore. It has become accepted and even hip and trendy for music fins to mimic these gestures and symbols. At least as far as artwork goes, Andie Airfix of Santori Graphic was Def Leppard’s main man. Airfix also creates the Illuminist-inspired artwork for many other prominent bands, including Metallica, AC/DC (Mutt-Lange produced), Black Sabbath, Geezers of Nazareth, The Rolling Stones, and, of course, Paul McCartney of The Beatles. (The Beatles were allegedly a creation of the New World Order Tavistock Institute. Was Def Leppard too? Most likely, as Def Leppard has all the hallmarks of being nothing more than a cleverly created package to carry on the 1960s’ musically based cultural revolution, which has waged non-stop psychological warfare on the world’s youth ever since.) Another recurring graphic on Def Leppard album artwork is a rifle scope target.

Joe Elliot flashes the Illuminati pyramid/ascendant Cabbalist-wiccan triangle on the front cover of RIP magazine in March 1988.

In Def Leppard’s live concert video -- In the Round, In Your Face -- at about the one hour, four minute mark, fans can be seen saluting Def Leppard with triangle hands (Illuminati pyramid/ascendant Cabbalist-wiccan triangle), not unlike how rapper Jay Z instructs his concert fans to do. Drummer Rick Allen is subsequently introduced as “the thunder god.” Jay Z, who calls the gesture “diamond” hands is really saluting his occult handlers. Interestingly, Jay Z refers to himself as Jayhovah, a variation of the Kabalistic tetragrammaton, or the so-called divine name. Elliot prominently displayed his “diamond” hands on the cover of rock magazine RIP in a 1988 edition. Today, the use of diamond hands is widespread in music, entertainment, and even in the feminist movement. Jewish feminist leader Gloria Steinem was once photographed sporting her diamond hands above her head while wearing a T-shirt that read, “I had an abortion.”

The back cover of Def Leppard’s Greatest Hits album, Vault, features a large rayed sun, also of occult significance. The front cover of their latest DVD, Rock Power Documentary Unauthorised, prominently displays a large single eye in the centre.

Nikolas Schreck, the son-in-law of former Church of Satan leader Anton LaVey, says Satanists use music and symbols “to awaken dormant aspects in the human mind….We’re using music, because that’s the instrument that young people respond to right now…We’re doing propaganda directly, to awaken the wolf in man….”

In fact, it is not surprising that the less theologians and preachers talk about Satan and Hell, the more free reign Satan has to make his own publicity through the record labels, covers and groups.

In the face of the mass of information about Rock ‘n Roll that overwhelms us and the disturbing facts that confound us, the moment has come for all those responsible for the social and spiritual life of our country to move from painful awareness to taking an energetic stand against it. The more the evil of rock spreads, the more it is given free rein to conquer people of good will who do nothing to protect themselves against this demonic virus.

First and foremost, efforts should be made to inform the general public and those who listen to this music about the nature, amplitude, gravity and consequences of the disastrous Rock ‘n’ Roll revolution, directed and nurtured by the hidden power of the Illuminati. This information campaign should be as widespread and as clearly stated as possible to alert the conscience and sense of responsibility of all citizens.

Second, letters should be sent to the offices of consumer protection agencies. This campaign should explain that these recordings are being distributed with no notice of the pernicious and harmful subliminal messages they contain, which incite their listeners to subversion, corruption and even consecration to the Devil.

(a) Enact laws like that proposed by Philip Wyman in California;

(b) Encourage a revision of international agreements that promote and spread rock records, recordings and dangerous revolutionary concerts and spectacles;

(c) Seek official statements on this serious problem or a formal commitment to regulate them from government agencies and officials;

Unfortunately, it would be difficult -- or even impossible -- to enact legislative measures that take the form of censorship in our present day climate. But, there are still many other means of intervention that can be taken regarding the classification, cover presentations and marketing of these camouflaged products. For example, a law could be proposed regarding subliminal messages that includes a formal prohibition of these methods in the production of discs, tapes and films.

Finally, it is crucial to be aware and vigilant about rock music, discos, rock concerts, etc., which have been amply proved to pose a real physical, moral and spiritual danger to the youth. Parents have a great responsibility, a primary and inalienable right, to educate their children, and legislators should respect and protect this right.

We strongly recommend that parents read the book of Bob Larson entitled Rock. Many other books and DVDs exist today to educate parents and youth about the evils of rock: e.g. Hells Bells, The Dangers of Rock ‘n Roll, The Devil’s Disciples, Dancing with Demons: The Music’s Real Master, Stairway to Hell, and Backward Masking Unmasked. These works explains to parents how the rock industry is a stairway to Hell for the youth.

It took 30 years of setback for us to come to know the exact nature of Rock ‘n Roll and realize the extent of its revolution. The time has come for all people of good will to unite their efforts in order to help rebuild a renewed society and begin the march to restore Christian Civilization. Tomorrow we will have the society we build today, and today’s youth is the guarantor of the future of society and the Church.

When the faith of youth becomes cold, humanity decays; when the zeal of youth is reanimated, humanity recuperates. Therefore, let us help our youth out of the spiritual morass and immorality to which rock music leads them. Let us open wide the doors of truth, beauty, and harmony and goodness.

Ultimately, we approach this issue with an invitation to take up this battle against rock as a spiritual fight as the only means to conquer.

Since this combat is first and foremost a spiritual battle against the powers of darkness, the more effective means to be implemented are prayer, religious formation, preaching the evils of rock in retreats, good spiritual reading and studying YEHOVAH's Word the Bible. Above all, what is needed is a new zeal and love for YEHOVAH God and His Messiah.

It is nothing less than negligence, cowardice or perversity for parents to ignore the satanic inspiration of rock music and allow their children to be part of the rock culture and revolution.

The Need for Good Music

Every educator knows that it is useless to prohibit or denounce any behavior without proposing better alternatives and models to be followed. Therefore, it is necessary to replace the American and British Rock ‘n’ Roll with sound works of a better quality.

The repertoires of international music are vast and constantly growing. They include a wide variety of popular, classical, folk and thematic productions from all countries. This kind of healthy music is good for the youth, raising up the heart, body and spirit.

Local parishes, schools, home schooling organizations, etc. should organize information campaigns that make good music and activities available.

What is not an alternative is the so-called “Christian rock,” which is really just a guise to introduce rock music and its satanic inspiration into churches and homes. We are told that we must look and sound like the world in order to reach the youth of this generation, and so we introduce rock music into the churches to attract the youth. This type of reasoning is the doctrine of demons that unfortunately many Catholics are accepting.

What “Christian rock” promotes is a compromise with rock music that opens the door to its bad effects. The same spirit of Rock ‘n’ Roll is found in so-called Christian rock: the spirit of rebellion, the spirit of immorality and perversion and an acceptance of the cultural revolution of the modern world.

Behind this guise we find, therefore, a desire to conform to the modern world rather than to separate oneself from its godless influence.

Conclusion

To conclude, we remind you that the Messiah is the victor and that the Devil is the father of lies who “masquerades as an angel of light” (2 Corinthians 11:14) and is already conquered. In summary, the choice we have to make is between YEHOVAH God and Satan.

The apostle Paul, aware of the nature of the spiritual battle that all true Christians must fight, has left us these fiery words:

“Finally, brethren, be strengthened in the Lord and in the might of his power. Put you on the armor of God, that you may be able to stand against the deceits of the Devil. For our wrestling is not against flesh and blood; but against principalities and power, against the rulers of the world of this darkness, against the spirits of wickedness in the high places.

“Therefore, take unto you the armor of God, that you may be able to resist in the evil day, and to stand in all things perfect. Stand therefore, having your loins girt about with truth, and having on the breastplate of justice. And your feet shod with the preparation of the gospel of peace. In all things taking the shield of faith, wherewith you may be able to extinguish all the fiery darts of the most wicked one.

“And take unto you the helmet of salvation, and the sword of the Spirit (which is the word of God). By all prayer and supplication praying at all times in the spirit; and in the same watching with all instance and supplication for all the saints: And for me, that speech may be given me, that I may open my mouth with confidence, to make known the mystery of the gospel. For which I am an ambassador in a chain, so that therein I may be bold to speak according as I ought” (Ephesians 6:10-20).

 

Hope of Israel Ministries -- Preparing the Way for the Return of YEHOVAH God and the Messiah to Reign over YEHOVAH's People and the World.

Hope of Israel Ministries P.O. Box 853 Azusa, CA 91702, U.S.A. www.hope-of-israel.org

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